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At the center of SAH Celebrates is the Charnley-Persky House (1891–1892), a National Historic Landmark and a Chicago Landmark designed by Louis Sullivan with assistance from Frank Lloyd Wright, that serves as SAH headquarters. SAH Celebrates highlights the importance of fostering a supportive community whose efforts ensure the stewardship of architectural gems like the Charnley-Persky House.

Proceeds benefit the ongoing maintenance and care of the Charnley-Persky House and SAH's educational programs and publications, including SAH Archipedia and  Buildings of the United States.

T. Gunny Harboe, FAIA
Founder, Harboe Architects

Michelangelo Sabatino, PhD
Professor, Director of Ph.D. Program in Architecture, Inaugural John Vinci Distinguished Research Fellow, Illinois Institute of Technology

Laurence O. Booth, FAIA
Booth Hansen Architects
 
Rebekah Coffman
Chicago History Museum
 
Stuart Cohen, FAIA
Cohen-Hacker Architects
 
Thomas M. Dietz

Jaeger Nickola Kuhlman & Associates

Alison Fisher
Art Institute of Chicago

Scott Fortman
Institute of Classical Architecture and Art, Chicago-Midwest Chapter

Keith Goad
The Keith Goad Group, Berkshire Hathaway Home Services Chicago
 
Chandra Goldsmith
IIT CoA Board of Advisors
 
Barbara Gordon
Frank Lloyd Wright Building Conservancy
 
Eleanor Gorski
Chicago Architecture Center
 
Stuart Graff
Frank Lloyd Wright Foundation
 
Julie Hacker, FAIA
Cohen-Hacker Architects
 
Sarah Herda
Graham Foundation
 
Harry Hunderman, FAIA
Wiss, Janney, Elstner Associates, Inc
 
Lisa Key
Driehaus Museum
 
Nancy and Thomas Klein
SAH Chicago Chapter
 
Thomas Leslie
University of Illinois at Urbana-Champaign
 
Jen Masengarb
AIA Chicago

Bonnie McDonald
Landmarks Illinois
 
Justin Miller
Docomomo US/Chicago
 
Ward Miller
Preservation Chicago
 
Heather Hyde Minor
University of Notre Dame
 
Keith N. Morgan, FSAH
SAH Past President
 
Sarah Rogers Morris
University of Illinois at Chicago
 
John K. Notz Jr.
SAH Benefactor Member
 
Keith Olsen
Olsen Vranas Architects

Abby Persky
Chicago, IL  

Laurie Petersen
Charnley-Persky House Board Member
 
Charlie Pipal
School of the Art Institute of Chicago
 
Deborah Slaton
Wiss, Janney, Elstner Assocites, Inc.

Chris-Annmarie Spencer, AIA, NOMA
AIA Chicago Foundation
 
Cynthia Vranas
Mies Van der Rohe Society
 
Cynthia Weese, FAIA
Weese, Langley, Weese Architects and Charnley-Persky House Board Member
 
Ernie Wong
Commission on Chicago Landmarks

Download the prospectus for information about sponsorship and advertising opportunities. Please contact Ben Thomas at 312-573-1365 if you have questions.

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Call for papers: Landscape Spoliation special issue of Arts journal

https://www.mdpi.com/journal/arts/special_issues/867V5R9890

Add to:

Deadline for manuscript submissions: 31 May 2025

Arts is an international, peer-reviewed, open access journal promoting significant research on all aspects of the visual and performing arts, published bimonthly online by MDPI.  An upcoming special issue of the publication will examine "Landscape Spoliation," and a

Special Issue: Landscape Spoliation

Guest Editor Annette Condello, Faculty of Humanities, Curtin University, Perth, writes: "What lies at the edges and bottom of the ocean? For instance, at the turn of the twentieth century, in Mexico City, a ship sailed some blocks of white marble from Massa Carrara, Italy, but they never arrived to be installed at Adamo Boari’s National Palace of Fine Arts. They were lost overboard and remain at the bottom of the ocean today. “Waves of Mediterranean have lapped at the development of modern architecture since the Enlightenment, reshaping its contours often as self-conscious initiatives to redefine or redirect prevailing styles, discourses, or practices” (Bergdoll in Lejeune and Sabatino, 2010: xv). Diverse cultures and their built topography have architectural spoils in common."

"Through the frontline of climatic change and architecture, spoliation (or fragmentary/fabricated architecture) in the landscape is not about identifying defects in the constructed landscape but the reconciliation of architecture with damaged terrains. Spurred on by the need to house and insulate people, “landscape spoliation” (Condello, 2022), that is, the process of reconciling modern architecture and its past as well as present relationships with new open-ended places, offers people renewed lifestyles, enabling urban resilience. How does landscape spoliation affect the design of contemporary architecture through its various places and vice versa? How has architecture and its transoceanic tides in four directions altered the contemporary landscape and its inhabitants?"

"This Special Issue provides a platform with which to question the overlapping themes of the environment, the transoceanic trade of building materials, architectural theories, and design strategies across the continents."

 

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in. Once you are registered, use the submission form to enter your information. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Diverse cultures and their built topographies have architectural spoils in common, resulting in properties acquiring scarcity value. Through the frontline of climatic change, damaged terrains, and abandoned buildings, spoliation in the landscape is not about identifying defects in the constructed landscape. Instead, it concerns the reconciliation of architecture with damaged terrains. Spurred on by the need to house and insulate people, “landscape spoliation”, the process of reconciling architecture and its past as well as present relationships with new open-ended places, offers people renewed lifestyles, enabling urban resilience. How does landscape spoliation affect the design of contemporary architecture through its various places and vice versa? How has architecture and its transoceanic tides in four directions altered the landscape and its inhabitants? This Special Issue provides a platform with which to question the overlapping themes of the environment, the transoceanic trade of building materials, architectural theories, and diverse design strategies across the continents. 

Guest Editor

Dr. Annette Condello

Faculty of Humanities, Curtin University, Perth, WA 6102, Australia

Events Home Blocks

Call for papers: Landscape Spoliation special issue of Arts journal

https://www.mdpi.com/journal/arts/special_issues/867V5R9890

Add to:

Deadline for manuscript submissions: 31 May 2025

Arts is an international, peer-reviewed, open access journal promoting significant research on all aspects of the visual and performing arts, published bimonthly online by MDPI.  An upcoming special issue of the publication will examine "Landscape Spoliation," and a

Special Issue: Landscape Spoliation

Guest Editor Annette Condello, Faculty of Humanities, Curtin University, Perth, writes: "What lies at the edges and bottom of the ocean? For instance, at the turn of the twentieth century, in Mexico City, a ship sailed some blocks of white marble from Massa Carrara, Italy, but they never arrived to be installed at Adamo Boari’s National Palace of Fine Arts. They were lost overboard and remain at the bottom of the ocean today. “Waves of Mediterranean have lapped at the development of modern architecture since the Enlightenment, reshaping its contours often as self-conscious initiatives to redefine or redirect prevailing styles, discourses, or practices” (Bergdoll in Lejeune and Sabatino, 2010: xv). Diverse cultures and their built topography have architectural spoils in common."

"Through the frontline of climatic change and architecture, spoliation (or fragmentary/fabricated architecture) in the landscape is not about identifying defects in the constructed landscape but the reconciliation of architecture with damaged terrains. Spurred on by the need to house and insulate people, “landscape spoliation” (Condello, 2022), that is, the process of reconciling modern architecture and its past as well as present relationships with new open-ended places, offers people renewed lifestyles, enabling urban resilience. How does landscape spoliation affect the design of contemporary architecture through its various places and vice versa? How has architecture and its transoceanic tides in four directions altered the contemporary landscape and its inhabitants?"

"This Special Issue provides a platform with which to question the overlapping themes of the environment, the transoceanic trade of building materials, architectural theories, and design strategies across the continents."

 

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in. Once you are registered, use the submission form to enter your information. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Diverse cultures and their built topographies have architectural spoils in common, resulting in properties acquiring scarcity value. Through the frontline of climatic change, damaged terrains, and abandoned buildings, spoliation in the landscape is not about identifying defects in the constructed landscape. Instead, it concerns the reconciliation of architecture with damaged terrains. Spurred on by the need to house and insulate people, “landscape spoliation”, the process of reconciling architecture and its past as well as present relationships with new open-ended places, offers people renewed lifestyles, enabling urban resilience. How does landscape spoliation affect the design of contemporary architecture through its various places and vice versa? How has architecture and its transoceanic tides in four directions altered the landscape and its inhabitants? This Special Issue provides a platform with which to question the overlapping themes of the environment, the transoceanic trade of building materials, architectural theories, and diverse design strategies across the continents. 

Guest Editor

Dr. Annette Condello

Faculty of Humanities, Curtin University, Perth, WA 6102, Australia

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