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SAHARA Highlights: Brutalism
Oct 15, 2024
by
SAHARA Co-Editors Jacqueline Spafford, Jeannine Keefer and Associate Editor Meral Ekincioglu
The much-anticipated 3.5-hour film The Brutalist, opening in December, tells the story of fictional architect László Toth*, a Hungarian Holocaust survivor. The Brutalist style, which seems to have had a popularity surge, becomes both a backdrop and a metaphor for the trajectory of Toth’s life.
In a nod to the film and the avid interest in Brutalist design, this Highlights feature looks at examples of Brutalist architecture in the SAHARA collections. The coverage is outstanding, including works by Le Corbusier, of course, Alison and Peter Smithson, Denys Lasdun, and the many other architects who introduced the style to nearly every corner of the globe. The selection below is a small peek at what the collections hold.
*László Toth was also the name of the man who attacked Michelangelo’s Pieta in 1972
1. Marko Mušic, Kolašin Municipal Assembly and Memorial Center, Kolašin, Montenegro, 1976. Photograph by Matthew Worsnick, 2016.
2. Le Corbusier, Millowners’ Association Building, Ahmadabad, India, 1951-54. An early and highly influential example of Brutalism. Photograph by G.E. Kidder Smith.
3. Vojin Stojić and Gradimir Medaković, Monument to the Fallen Soldiers of the Kosmaj Partisan Detachment, Belgrade, Serbia, 1971. One of many striking monuments in the former Yugoslavia incorporating the heavy-yet-light aesthetic of the movement. Photograph by Matthew Worsnick, 2016.
4. Mathers & Haldenby Architects, Robarts Library, University of Toronto, Ontario, Canada, 1973. Photograph by Ingrid Quintana-Guerrero.
5. Fritz Wotruba, Kirche zur Heiligsten Dreifaltigkeit, Vienna, Austria, 1974-76. Photograph by Laura McGuire, 2012.
6. Denys Lasdun, Institute of Education and School of Oriental and African Studies, University of London, London, England, 1965-92 (incomplete). Photograph by Barnabas Calder, 2009.
7. Paul Rudolph, Earl W. Brydges Public Library, Niagara Falls, New York, 1973-74. Photograph by G.E. Kidder Smith.
8. Tessier, Corriveau, St-Gelais, Tremblay, and Tremblay Labbé, Édifice Jean-Talon, Ville de Quebec, Quebec, 1967-71. Photograph by Dell Upton, 2013.
9. Mannie Feldman, Manfred Hefner, and Rodney Grosskopf, Ponte City Tower, Johannesburg, South Africa, 1975. The architects designed the base of the core to reflect natural topography to contrast with the strict geometry of the tower building above. Photograph by Sarah Rovang, 2018.
10. Yacov Rechter and Zeev Rechter, Orot Cinema, Be’er Sheva, Israel, 1957-60 (closed since 1989). Photograph by Diego Rosman.
11. Alison and Peter Smithson, Robin Hood Gardens, Detail, London, England, 1972. Photograph by Ruth Lang, 2014.
12. Paul Rudolph, Burroughs Welcome Headquarters, Durham, North Carolina, 1969-72. Photograph by Vyta Baselice, 2018.
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At the center of SAH Celebrates is the Charnley-Persky House (1891–1892), a National Historic Landmark and a Chicago Landmark designed by Louis Sullivan with assistance from Frank Lloyd Wright, that serves as SAH headquarters. SAH Celebrates highlights the importance of fostering a supportive community whose efforts ensure the stewardship of architectural gems like the Charnley-Persky House.
Proceeds benefit the ongoing maintenance and care of the Charnley-Persky House and SAH's educational programs and publications, including SAH Archipedia and Buildings of the United States.
T. Gunny Harboe, FAIA
Founder, Harboe Architects
Michelangelo Sabatino, PhD
Professor, Director of Ph.D. Program in Architecture, Inaugural John Vinci Distinguished Research Fellow, Illinois Institute of Technology
Founder, Harboe Architects
Michelangelo Sabatino, PhD
Professor, Director of Ph.D. Program in Architecture, Inaugural John Vinci Distinguished Research Fellow, Illinois Institute of Technology
Laurence O. Booth, FAIA
Booth Hansen Architects
Rebekah Coffman
Chicago History Museum
Stuart Cohen, FAIA
Cohen-Hacker Architects
Thomas M. Dietz
Alison Fisher
Art Institute of Chicago
Scott Fortman
Institute of Classical Architecture and Art, Chicago-Midwest Chapter
Keith Goad
The Keith Goad Group, Berkshire Hathaway Home Services Chicago
Chandra Goldsmith
IIT CoA Board of Advisors
Barbara Gordon
Frank Lloyd Wright Building Conservancy
Eleanor Gorski
Chicago Architecture Center
Stuart Graff
Frank Lloyd Wright Foundation
Julie Hacker, FAIA
Cohen-Hacker Architects
Sarah Herda
Graham Foundation
Harry Hunderman, FAIA
Wiss, Janney, Elstner Associates, Inc
Lisa Key
Driehaus Museum
Nancy and Thomas Klein
SAH Chicago Chapter
Thomas Leslie
University of Illinois at Urbana-Champaign
Jen Masengarb
AIA Chicago
Bonnie McDonald
Landmarks Illinois
Justin Miller
Docomomo US/Chicago
Ward Miller
Preservation Chicago
Heather Hyde Minor
University of Notre Dame
Keith N. Morgan, FSAH
SAH Past President
Sarah Rogers Morris
University of Illinois at Chicago
John K. Notz Jr.
SAH Benefactor Member
Keith Olsen
Olsen Vranas Architects
Abby Persky
Chicago, IL
Laurie Petersen
Charnley-Persky House Board Member
Charlie Pipal
School of the Art Institute of Chicago
Deborah Slaton
Wiss, Janney, Elstner Assocites, Inc.
Cynthia Vranas
Mies Van der Rohe Society
Cynthia Weese, FAIA
Weese, Langley, Weese Architects and Charnley-Persky House Board Member
Ernie Wong
Commission on Chicago Landmarks
Booth Hansen Architects
Rebekah Coffman
Chicago History Museum
Stuart Cohen, FAIA
Cohen-Hacker Architects
Thomas M. Dietz
Jaeger Nickola Kuhlman & Associates
Art Institute of Chicago
Scott Fortman
Institute of Classical Architecture and Art, Chicago-Midwest Chapter
Keith Goad
The Keith Goad Group, Berkshire Hathaway Home Services Chicago
Chandra Goldsmith
IIT CoA Board of Advisors
Barbara Gordon
Frank Lloyd Wright Building Conservancy
Eleanor Gorski
Chicago Architecture Center
Stuart Graff
Frank Lloyd Wright Foundation
Julie Hacker, FAIA
Cohen-Hacker Architects
Sarah Herda
Graham Foundation
Harry Hunderman, FAIA
Wiss, Janney, Elstner Associates, Inc
Lisa Key
Driehaus Museum
Nancy and Thomas Klein
SAH Chicago Chapter
Thomas Leslie
University of Illinois at Urbana-Champaign
Jen Masengarb
AIA Chicago
Bonnie McDonald
Landmarks Illinois
Justin Miller
Docomomo US/Chicago
Ward Miller
Preservation Chicago
Heather Hyde Minor
University of Notre Dame
Keith N. Morgan, FSAH
SAH Past President
Sarah Rogers Morris
University of Illinois at Chicago
John K. Notz Jr.
SAH Benefactor Member
Keith Olsen
Olsen Vranas Architects
Abby Persky
Chicago, IL
Laurie Petersen
Charnley-Persky House Board Member
Charlie Pipal
School of the Art Institute of Chicago
Deborah Slaton
Wiss, Janney, Elstner Assocites, Inc.
Chris-Annmarie Spencer, AIA, NOMA
AIA Chicago Foundation
Cynthia Vranas
Mies Van der Rohe Society
Cynthia Weese, FAIA
Weese, Langley, Weese Architects and Charnley-Persky House Board Member
Ernie Wong
Commission on Chicago Landmarks
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SAHARA Highlights: Brutalism
Oct 15, 2024
by
SAHARA Co-Editors Jacqueline Spafford, Jeannine Keefer and Associate Editor Meral Ekincioglu
The much-anticipated 3.5-hour film The Brutalist, opening in December, tells the story of fictional architect László Toth*, a Hungarian Holocaust survivor. The Brutalist style, which seems to have had a popularity surge, becomes both a backdrop and a metaphor for the trajectory of Toth’s life.
In a nod to the film and the avid interest in Brutalist design, this Highlights feature looks at examples of Brutalist architecture in the SAHARA collections. The coverage is outstanding, including works by Le Corbusier, of course, Alison and Peter Smithson, Denys Lasdun, and the many other architects who introduced the style to nearly every corner of the globe. The selection below is a small peek at what the collections hold.
*László Toth was also the name of the man who attacked Michelangelo’s Pieta in 1972
1. Marko Mušic, Kolašin Municipal Assembly and Memorial Center, Kolašin, Montenegro, 1976. Photograph by Matthew Worsnick, 2016.
2. Le Corbusier, Millowners’ Association Building, Ahmadabad, India, 1951-54. An early and highly influential example of Brutalism. Photograph by G.E. Kidder Smith.
3. Vojin Stojić and Gradimir Medaković, Monument to the Fallen Soldiers of the Kosmaj Partisan Detachment, Belgrade, Serbia, 1971. One of many striking monuments in the former Yugoslavia incorporating the heavy-yet-light aesthetic of the movement. Photograph by Matthew Worsnick, 2016.
4. Mathers & Haldenby Architects, Robarts Library, University of Toronto, Ontario, Canada, 1973. Photograph by Ingrid Quintana-Guerrero.
5. Fritz Wotruba, Kirche zur Heiligsten Dreifaltigkeit, Vienna, Austria, 1974-76. Photograph by Laura McGuire, 2012.
6. Denys Lasdun, Institute of Education and School of Oriental and African Studies, University of London, London, England, 1965-92 (incomplete). Photograph by Barnabas Calder, 2009.
7. Paul Rudolph, Earl W. Brydges Public Library, Niagara Falls, New York, 1973-74. Photograph by G.E. Kidder Smith.
8. Tessier, Corriveau, St-Gelais, Tremblay, and Tremblay Labbé, Édifice Jean-Talon, Ville de Quebec, Quebec, 1967-71. Photograph by Dell Upton, 2013.
9. Mannie Feldman, Manfred Hefner, and Rodney Grosskopf, Ponte City Tower, Johannesburg, South Africa, 1975. The architects designed the base of the core to reflect natural topography to contrast with the strict geometry of the tower building above. Photograph by Sarah Rovang, 2018.
10. Yacov Rechter and Zeev Rechter, Orot Cinema, Be’er Sheva, Israel, 1957-60 (closed since 1989). Photograph by Diego Rosman.
11. Alison and Peter Smithson, Robin Hood Gardens, Detail, London, England, 1972. Photograph by Ruth Lang, 2014.
12. Paul Rudolph, Burroughs Welcome Headquarters, Durham, North Carolina, 1969-72. Photograph by Vyta Baselice, 2018.
News Home Blocks
SAHARA Highlights: Brutalism
Oct 15, 2024
by
SAHARA Co-Editors Jacqueline Spafford, Jeannine Keefer and Associate Editor Meral Ekincioglu
The much-anticipated 3.5-hour film The Brutalist, opening in December, tells the story of fictional architect László Toth*, a Hungarian Holocaust survivor. The Brutalist style, which seems to have had a popularity surge, becomes both a backdrop and a metaphor for the trajectory of Toth’s life.
In a nod to the film and the avid interest in Brutalist design, this Highlights feature looks at examples of Brutalist architecture in the SAHARA collections. The coverage is outstanding, including works by Le Corbusier, of course, Alison and Peter Smithson, Denys Lasdun, and the many other architects who introduced the style to nearly every corner of the globe. The selection below is a small peek at what the collections hold.
*László Toth was also the name of the man who attacked Michelangelo’s Pieta in 1972
1. Marko Mušic, Kolašin Municipal Assembly and Memorial Center, Kolašin, Montenegro, 1976. Photograph by Matthew Worsnick, 2016.
2. Le Corbusier, Millowners’ Association Building, Ahmadabad, India, 1951-54. An early and highly influential example of Brutalism. Photograph by G.E. Kidder Smith.
3. Vojin Stojić and Gradimir Medaković, Monument to the Fallen Soldiers of the Kosmaj Partisan Detachment, Belgrade, Serbia, 1971. One of many striking monuments in the former Yugoslavia incorporating the heavy-yet-light aesthetic of the movement. Photograph by Matthew Worsnick, 2016.
4. Mathers & Haldenby Architects, Robarts Library, University of Toronto, Ontario, Canada, 1973. Photograph by Ingrid Quintana-Guerrero.
5. Fritz Wotruba, Kirche zur Heiligsten Dreifaltigkeit, Vienna, Austria, 1974-76. Photograph by Laura McGuire, 2012.
6. Denys Lasdun, Institute of Education and School of Oriental and African Studies, University of London, London, England, 1965-92 (incomplete). Photograph by Barnabas Calder, 2009.
7. Paul Rudolph, Earl W. Brydges Public Library, Niagara Falls, New York, 1973-74. Photograph by G.E. Kidder Smith.
8. Tessier, Corriveau, St-Gelais, Tremblay, and Tremblay Labbé, Édifice Jean-Talon, Ville de Quebec, Quebec, 1967-71. Photograph by Dell Upton, 2013.
9. Mannie Feldman, Manfred Hefner, and Rodney Grosskopf, Ponte City Tower, Johannesburg, South Africa, 1975. The architects designed the base of the core to reflect natural topography to contrast with the strict geometry of the tower building above. Photograph by Sarah Rovang, 2018.
10. Yacov Rechter and Zeev Rechter, Orot Cinema, Be’er Sheva, Israel, 1957-60 (closed since 1989). Photograph by Diego Rosman.
11. Alison and Peter Smithson, Robin Hood Gardens, Detail, London, England, 1972. Photograph by Ruth Lang, 2014.
12. Paul Rudolph, Burroughs Welcome Headquarters, Durham, North Carolina, 1969-72. Photograph by Vyta Baselice, 2018.
